33/33
It was visible to the naked eye for about 260 days that year
Story
The story behind the Veuve Clicquot champagne family and company, which began in the late 18th century. The comet that Barbe Nicole mentions in her letters and later uses as inspiration to name her Champagne brand is the Great Comet of 1811, officially named C. /1811 F1.
But in fact he died at the age of 88
At the end of the film, it was said that Barbe Nicole died at the age of 89. Combining all the elements to make a great film and mixing the different ingredients in the right proportions is akin to making a fine wine – and there’s quite a bit of irony in this given the subject of this fascinating cinematic biography of Barbe Nicole Ponsard’s Clicquot (1777-). 1866) (Haley Bennett), French winemaker who became better known as “the great lady of champagne”.
others (especially her skeptical sexist father-in-law, Philippe (Ben Miles)) about whether a woman could successfully lead such an organization
After inheriting her husband François’s (Tom Sturridge) business after his death, she vowed to keep the winery running and continue her vision of innovation in the face of stiff competition from the rival Moet organization. But doing so was quite a challenge in the face of financial difficulties, years of failure, questionable business practices of competitors, raising a young daughter (Cecily Cleeve) as a single mother, harsh operating conditions during the Napoleonic era, and deep suspicion. Director Thomas Napper’s latest chronicles the widow Clicquot’s resourceful efforts to overcome these problems, as well as her ambitious initiatives to live up to her late husband’s dreams, largely with the help of his loyal distributor.
, Louis (Sam Riley)
When telling the story, the filmmaker seamlessly mixes the challenging events of everyday life with more personal flashbacks and explores the heartfelt emotions that laid the foundation for Clicquot’s winemaking philosophy. The picture’s superbly crafted narrative and script, combined with fine period production values and excellent performances (notably Bennett in one of his best on-screen portrayals), make for an engaging, multi-faceted watch. Admittedly, there are times in the second half where the story meanders somewhat, and some may find that this publication gets a little too detailed when discussing the technicalities of winemaking.
able to envision and implement
However, much of this offering is evenly balanced, effectively engaging the viewer in a subject not particularly common in the annals of filmmaking. But best of all, on a more philosophical level, this publication celebrates the inherent joy and passion of creation, ideas that can be applied to the manifestation of any art form, be it wine, painting or anything else. And if that’s not a toast, I don’t know what is.
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